The Most Radical Gesture: Situationist International in a Postmodern Age

The Most Radical Gesture: Situationist International in a Postmodern Age Review

This is a really good bit of secondary situ literature. Sadie Plant starts off with a magesterial summery of situationist thought. Her original contribution comes later. She compares their work with that of the post modernists and concludes that they held to clear distinctions between the real and the spectacular world...a division that their false heirs collapse. This is the main dialectic of the book. It is an interesting new persepctive from which to encounter Debord and Co. Whether or not this insight is revolutionary enough to justify some of these inflated prices is another matter! Commodity Fetishism!

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The Most Radical Gesture: Situationist International in a Postmodern Age Overview

Tracing the history, ideas and influences of the Situationist International, from dada to postmodernism, this book illustrates how situationist ideas continue to inform political events, cultural movements and theoretical debate.

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The Finishing School

The Finishing School Review

"You begin" he said "by setting your scene. You have to see your scene, either in reality or in imagination" thus begins the setting of "The Finishing School". Muriel Spark has set in motion another one of her indelibly fascinating novels.

Rowland Mahler and his wife, Nina run the College Sunrise. The school moves from country to country each year. It is easier that way when finances get tough. They have ten students, nine attend school. The setting this year is Lausanne. The students are well placed and receive a good enough education.

One of the students, Chris Wiley is a literary prodigy who has a novel in progress that has interested the publishers. Of note, Rowland is also a novelist whose intent is to write the novel of the century. At once, Rowland is jealous of his student, Chris. He derives every act he can think of to find the novel, but he fails. The entire school knows what he is after, but no one really cares. Most of the novel revolves around the writing of the novel and who will be the winner.

Into this mixture come sexual intrigue, men and women and men and men. What is it that makes men and women like this game of cat and mouse? Why are we so good at hiding our actual feelings and other people are so good at figuring out what they are?
Who are the hypocrites, and why are we so delusional?

Muriel Spark has written over twenty novels. I have read most of them. This is not her best novel and iat is quite short. Muriel Spark is considered a master of our time. She can capture our hysteria and paranoia in such subtle language. This is a book to be read and savored. Highly recommended. prisrob

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Passionately determined to write his novel whilst running College Sunrise, a finishing school for both sexes and mixed nationalities, Rowland Mahler is assisted by his wife, Nina Parker. This term there is a new star pupil - Chris, seventeen, also determined to write his masterpiece.

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The elegantly written The Finishing School reminds us again of Muriel Spark's unique talent, combining a wry sympathy for human behaviour with a clear-eyed assessment of our foibles. All her books, from the The Prime of Miss Jean Brodie to the lesser known volumes, possess an insinuating charm and an understated but often lethal satirical thrust; few middle-class absurdities have gone unanalysed.

The Finishing School is concise but it has all the insinuating charm of her best work. Rowland Mahler and his wife Nina run a mixed-sex finishing school called College Sunrise. Rowland has aspirations as a novelist but he has an unconscious rival--a talented pupil, Chris--whose literary efforts effortlessly outpace Rowland's. Soon a poisonous atmosphere suffuses the school as Rowland falls prey to agonies of jealousy. Spark has always been good at the tensions and rivalries of the school environment, and her touch is as sure as ever in this highly diverting piece. --Barry Forshaw

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Ads to Icons: How Advertising Succeeds in a Multimedia Age

Ads to Icons: How Advertising Succeeds in a Multimedia Age Review

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Examines current and future trends in advertising. Through international case studies of new and iconic advertising campaigns, this title identifies why they were successful and analyses their contribution to the continued development of advertising.

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A Day and a Night and a Day

A Day and a Night and a Day Review

Duncan is a writer unafraid of dealing with the big themes: love, hate, sex, death, violence and, perverse as it may sound, his lightest offering so far has been the novel he wrote from the point of view of Lucifer himself . His bravery comes in saying what most of us would rather keep hidden, the darker side of our motivations and desires. In his latest novel one of the characters offers what could be a maxim for him as a writer, 'If we're going to have art...let's not have art that's done like a hobby.'

The title refers to the period of time that Augustus Rose spends being tortured after becoming a victim of extraordinary rendition. The novel is fractured, jumping back and forth through time as Rose remembers important moments from his life, his mind fighting for a foothold as his body is subjected to increasingly violent attacks from which of course his mind is not exempt. In fact the first thing to mention is the skill with which Duncan deals with this whole area. Rose's interrogator at one point asks, 'You read the testimonies of people who've survived torture...they're affectless . They tell you what was done to them but never what it did to them. Why is that?' Duncan excels at psychological veracity and in the scenes of torture he steers aware from pornographic descriptions of violence, showing that the real battle is a mental one, making torture a surprisingly clever template for narrative structure. Looking back to his past we see how this mixed race boy dreamed of being white ('there was his astonished and delighted face in the mirror, same mouth and nose and eyes but with the fair skin and the relief of having come at last into his inheritance.'), overachieved educationally and, at a time when a mixed race couple would raise not only eyebrows but confrontation, became involved in a passionate and full blooded affair with a New York aristocrat.

Duncan's relationships are often all-or-nothing. It is this lover, Selina who speaks the line about art I mentioned above and who, when the couple meet again, many years after the termination of their relationship describes it in mythical terms, 'You and I could have sat down with Tristan and Isolde and held up our heads'. This brief encounter, which also lasts a day and a night and a day becomes the catalyst that drives Augustus to join a terrorist network called Sentinel, a kind of vigilante terrorist cell, and the reason for his apprehension and torture.

His interrogator is Harper, an intelligent and controlled man of violence who cuts a contradictory figure in his 'Gap casuals'. Through him Duncan is able to articulate some of those difficult ideas and thoughts, as when Abu Grahib is raised.
'We needed to know we could do that, still do that. Otherwise why'd we photograph it?'
'We?'
'Collective conciousness. America - in fact the entire non-Islamic western world - is only just waking up to what its enemy wants. It's taken such a long time because what it wants is so bizarre, so unreasonable. Its enemy wants to wipe it off the face of the earth, and has evolved a psychotic death cult to get the job done. You've got to love the jihadis' candor: 'We're not fighting so that you'll offer us something. We're fighting to eliminate you.' ...You don't fight that with reason, you fight it with contempt and brutality. We needed to know we could count on ourselves to get down and dirty...the Abu Grahib pictures were a relief...Why did the MP's take the photos? Because everyone back home, in a collective surge of self-doubt, had asked them to.'

But he doesn't restrict himself to his own professional arena, branching out into popular culture,
'We're suffering representational saturation. We've written too many books, made too many movies. By the time you're eighteen you've already encountered representations of everything important, you already know the scripts.'

We have knowledge we don't want so we send it to the movies. Hollywood's the transformation chamber where unpleasant truths get turned into consumable fictions. -Nothing's going to protect extraordinary rendition like Rendition.'


At one point he even proffers his ideas on what the neurological repercussions of the iPhone might be (I'll leave that treat for you to discover). It is typical of Duncan to have so much fun with this character, helping to make it even more chilling as the torture approaches its inevitable conclusion. Inevitable because casting forwards if you like we see Rose as an older man on the remote island of Calansay, his body naturally weakened by time but with an eye-patch standing out as starkly as the colour of his skin in this part of the world. Duncan anticipates anyone who might criticise the corny nature of he set up by having Rose imagine the movie-trailer voice over or novel blurb. 'the story of a man's spirit destroyed...and the love in which it's reborn. Now on an island at the edge of the world he must learn to live again..' Through his enforced proximity to a young runaway he finds that fighting spirit rising again at a time when he had thought he was preparing himself for death. Despite his attempt to head off our criticism this section of the novel is the weakest mainly because it struggles to keep pace with the vitality of the 'earlier' sections and because it resorts to the kind of climax one might well expect from a airport thriller. But Duncan remains an urgent and never less than interesting writer. His books are filled with ideas, many of them unpleasant or uncomfortable (as the truth often is), and well worth discovering if you haven't already.

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How does a lost love lead an unlikely terrorist into the near-fatal embrace of his torturer?

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Sports Stars: The Cultural Politics of Sporting Celebrity

Sports Stars: The Cultural Politics of Sporting Celebrity Review

Sports Stars: The Cultural Politics of Sporting Celebrity Feature

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Sports Stars: The Cultural Politics of Sporting Celebrity Overview

In a culture obsessed with celebrity, sportsmen and women are some of the biggest stars. This work investigates the nature of contemporary sporting celebrity, examining the stars often turbulent relationship with the press, and exploring themes of identity, race, and spectacle.

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